Picture Lock! After months of editing, Marlene Booth’s documentary Kū Kanaka is nearly finished. I am sitting in Stanford Chang’s edit room at Gravity in Honolulu as he color corrects and finishes final picture on this mostly-Adobe Premiere edit.

In order to move the picture locked sequence to Stan’s system, I needed to learn and use Adobe Premiere Pro’s Project Manager feature. But first we spent some time cleaning up our sequence and getting the highest resolution stills and archival footage possible. We also upconverted a lot of SD sources to HD via Teranex hardware. I will detail this process in this blog, and I will talk about Project Manager in additional detail in the next blog.Read More